The belt is endless: matter arrives on the right as stone, crosses the frame and leaves on the left, travelling one belt-length every TRAVEL bars — so the space moves at the speed of the track. Over it flies a charged orb, a body of its own made of points — wearing whichever form you pick: a plain sphere, the faceted hull from HEX, or the ASCII relief currently loaded in the ASCII dock, live. It hangs in one zone, drifting only slightly within a hard limit and bobbing on the beat, and its charge falls DOWNWARD onto whatever passes beneath — so everything left of it is living, everything right of it has not been reached yet, and that meeting is on screen in every frame. Charge, pulse and radius come off the music in real time; dense low-heavy passages resist it and pull the field in. A slower belt leaves matter under the orb longer, so it comes out more completely changed. RESET returns the matter to stone.